In my Dec. 16 article for the Los Angeles Times wrapping up the year in dance, I expressed my disappointment with how heavy-hitter philanthropist Glorya Kaufman chose to lavish millions of dollars (exact amount undisclosed) on USC to start a new school for dance. I argued that donations are most urgently needed for daily operations to support the city’s myriad small, professional companies. I didn’t even mention that if Kaufman wanted to fund a building, a centrally located complex with studios and theater would have been brilliant. The New York Times published an interview with Kaufman two days ago, and asked her to respond directly to my criticism (on the second page. The NYT article also links to mine). Her answer is certainly unsatisfactory. She mentions that there are already plans afoot for collaborations with ABT and the Music Center once the school is up and running. Not surprisingly, one can’t help but see these efforts as moves to keep a singular donor happy and in their corner.
I haven’t even aired all of the questions I have. First and foremost is why is Robert Cutietta, dean of USC’s Thornton School of Music, spearheading the plans for the dance school? Why is this not being done by an outstanding dancer or choreographer? Is Cutietta the permanent dean? If a dance professional was running the USC school of music, and making decisions about curriculum, you can bet there would be howls of protest.