The Music Center kicks off a new initiative this summer, called The Music Center on Location. The downtown performing arts center is moving off campus, presenting two smaller dance companies and music artists at the Ford Theatres: Aszure Barton Dance in “Awáa” on Aug. 18 and Jacob Jonas The Company on Aug. 19, in shared program with Tim Hecker and Kara-Lis Coverdale. In October, the Music Center will present British choreographer Akram Khan’s “Until the Lions: Echoes from the Mahabharata” at Culver Studios on West Washington Boulevard in Culver City. These are all big steps for this institution, and via email I asked President and CEO Rachel Moore to talk a little about this decision to begin presenting events away from the center’s traditional downtown venues. Below is an edited version of our email conversation.
Laura: How and why did you decide on the Ford as a venue for this initiative?
Rachel: The upcoming music and dance engagement at the Ford Theatres is part of…our commitment to taking the artistic vision of the Music Center beyond our downtown campus to venues across L.A. County and providing even more opportunities for audiences to engage with the arts. It is critical to us, not only as a county venue, but as L.A.’s performing arts center, to serve all of Los Angeles County and to be relevant and accessible to audiences of all interests. Working with the Ford Theatres creates a natural partnership as the newly renovated amphitheater is located in close proximity to the Westside of Los Angeles along with the West Valley and offers an intimate setting for many different artistic genres.
Laura: And tell me a little about how you chose to present Aszure’s and Jacob’s companies?
Rachel: The Music Center is presenting highly talented artists, both based in L.A., as well as some pieces that have never been performed here. We are always focused on presenting world-class talent and providing a platform for L.A.-based artists. Aszure Barton is now an Angeleno after recently relocating to Los Angeles. She is a prolific choreographer with strong emotionality. Her piece “Awàa” celebrates sexuality and humanity through movement and will be performed for the first time in Los Angeles. Jacob Jonas is a young choreographer and dancer raised in Los Angeles who combines contemporary ballet with breakdance and acrobatics. His company will perform a new piece commissioned by The Music Center On Location called “On Me,” where the company will explore the idiom “to carry the weight of the world on one’s shoulders.” We are excited to include Jacob’s unique blend of athleticism and dance in our program.
Laura: It is a complicated time for all of the arts. Big performing arts institutions like the Music Center have for at least a decade been trying new ways to reach audiences and to be integral to a broader swath of society. How will the Music Center on Location help and are you worried that by going to smaller venues in other parts of the city, you are stepping on the toes of other Los Angeles theaters, such as the Wallis and the Broad Stage?
Rachel: Much as we would like everyone to be able to visit us in Downtown L.A., we know that just may not be possible! That’s why we created The Music Center On Location. We’re in the early days of this program, but, ultimately, we hope to provide more programming in all five county districts and work with local artists, community groups and other important stakeholders to build relationships throughout the region with the goal of providing even more access to the arts.
What’s more, The Music Center On Location is about creating and building partnerships with arts organizations throughout the region. For example, we may present a future
engagement at the Wallis or the Broad Stage. Our intention is to collectively work together with our colleagues and, in doing so, raise the awareness for the arts across Los Angeles and Southern California.