A Breakthrough Season

The Wallis Annenberg Center for the Performing Arts in Beverly Hills announced this week that its 2019-2020 dance season will be stocked with Los Angeles-based dance companies--only. It is, I believe, the first time a Los Angeles theater presenter has programmed a complete dance season just with L.A.-based companies. Quite a milestone. Artistic director Paul …

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Review: Misty, Calvin & ABT’s ‘Harlequinade’

“Les millions d’Arléquin” was a fluff-ball of a ballet, popular with audiences from its debut in 1900 until its last performance in 1929. It had a goofy comedic story, a lovely score by Italian composer Riccardo Drigo and unvarnished yet gracious choreography from the French-Russian ballet master, Marius Petipa. Now, American Ballet Theatre has staged …

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Review: Backhausdance New Works

The Orange County contemporary dance company Backhausdance celebrates its 15th anniversary this year and artistic director Jenny Backhaus is taking a bit of a break from creating the bulk of the group’s repertory. This strikes me more as an evolutionary development than a major sea change. I’ve been watching the company’s development almost from its …

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Review: SF Ballet’s ‘Sleeping Beauty’

I have been a San Francisco Ballet fan since the early 1980s, when Michael Smuin ran the company. I was living in the city and had a ballet subscription. They have only gotten better since then, growing into one of this country’s most distinguished classical companies. Sadly, they infrequently come south to perform here. We’re …

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