Review: A Double-Header

I don’t often do dance two-fers, but Saturday, Feb. 3 offered a tantalizing opportunity by two different companies and I didn’t want to have to choose between them. So what to do? Go to both, naturally. As the late afternoon shadows stretched to about double one’s size, and encroaching ocean breezes chilled the warm daylight, …

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Review: SF Ballet’s ‘Sleeping Beauty’

I have been a San Francisco Ballet fan since the early 1980s, when Michael Smuin ran the company. I was living in the city and had a ballet subscription. They have only gotten better since then, growing into one of this country’s most distinguished classical companies. Sadly, they infrequently come south to perform here. We’re …

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Review: Clairobscur Dance Company

Clairobscur artistic director Laurie Sefton tackled meaty topics using a serious and sometimes morose tone at a concert she called "no option, choice, preference," Saturday night at the Nate Holden Performing Arts Center. Her Clairobscur Dance Company, which celebrates its 30th anniversary this year, presented the world premiere of “Girl, Get Off,” a sensual piece …

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Review: Royal Swedish Ballet “Juliet and Romeo”

As dance fans were celebrating the local premiere of Mats Ek’s 2013 production of “Juliet and Romeo” at Segerstrom Hall in Costa Mesa Friday night (June 10), we were simultaneously contemplating never seeing any other ballets by Ek. The 71-year-old Swedish choreographer will soon take a break from the dance studio—perhaps a final retirement, though …

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